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Two years after Instrumentals 3 was released, Clams Casino is back. It's been awhile since we've gotten a heft of new material from Clams.


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Honestly, not too much listening to music. Me and B were in L. As far as the other things, a lot of the stuff was made already, and I would just sent it out to anybody. I played a lot of video games. Not a real meeting. And then, I had this beat sitting around and I was trying to figure out who to get on it. Summertime '06 was released last June. How has your process changed since then? Just learning about what you want to do and who you look up to and how you're going to do your own thing. So when it came to finalizing songs with vocal mixing, I wanted to reach out to somebody to do that. His band guys down in Nashville, they did some live instrumentation on it. So Illangelo did a lot of that before final mixes. I listen to some of my old things starting off as real fake Kanye beats or Just Blaze beats. Honestly, I was inspired a lot by video game music. So on this album, I found maybe 20 percent of it or so is found stuff, or not even. Yeah, he wrote them real fast. Pitchfork: In your Rising interview back in , you said you would find samples by typing random words into LimeWire and downloading songs. Gave him those beats about May last year. It was completely natural, we just picked up and started writing, we wrote about four songs in three days. The majority of the sounds are sounds that I make, and try to make them sound like old things that I found. He did a lot of production on that. I think they ended up using three of the four I left them with that day. What was that process like? Tags Interviews Clams Casino.{/INSERTKEYS}{/PARAGRAPH} What do you think of people trying to emulate you? I started off thinking of myself as a hip-hop producer. And that was some of the last stuff that was going on the album. Music was most definitely no longer just a hobby. If it was done, it may frustrate me if it was. What are the themes or messages of the album? {PARAGRAPH}{INSERTKEYS}He did official remixes for Sia and Florence and the Machine , among others. Then we met up in the studio and recorded it and stuff. But it was super natural and supernatural. And I was thinking of guys that I like, and I reached out to Vince, and he wrote it on his own. All I was doing was collecting sounds. That specifically comes from there. The beat was done, we were just doing it right there. A lot of it is me recording samples. So it was kind of cool how it just intersects. That came about real spontaneous, on the spot. Exact copies, you know? So this time, about July, I think it was last year, he came down to L. I appreciate it, especially young kids starting up. I was playing drums. And that first time we sat down was just like, sat down in the same room, like, wow, this is a really weird feeling, because we had worked for, what, since But I was like, wait, it was also supernatural. On the basic level, half the album is the same thing as the vocal version but just taken off. What was it like working with Lil B in person, after previously having only collaborated online? I usually work alone and send beats out. Yeah, that was done. He was out in L. That was the first time that I ever properly met him. Playing a lot of instruments. I was just going to studios. It was both of those. All the stuff from his album came about from working on mine.